Introduced into the UK in 1933 it is thought that this is possibly a model 12. but most likely a model 25. Due to the poor condition of this artefact it is not possible to correctly identify it accurately.
The authors provide a jargon-free, accessible and student-friendly introduction to film analysis. They begin with a discussion about audience and a detailed case-study on four conflicting analyses of Capra’s It’s A Wonderful Life. The authors examine…